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Review: Munya Andrews’ “The Seven Sisters of the Pleiades: Stories from Around the World”

munya andrews seven sisters of the pleiadesThis is a difficult book to review. I had seen this book on Spinifex’s shelves years ago and had it on my mental TBR shelf, so I selected it when my blog-name was drawn out of the GWC hat a couple of months ago. Written by a woman from Australia’s Western Deserts (the Kimberley), it is a comparison of stellar lore and behaviours from various global cultures (Australian indigenous, Ainu Japanese, Maori and Pacific Islander, Native North American, etc.) as they relate to myths, astronomy, theosophy, and the beginnings of the world.

On the one hand, I really appreciated the scope of the scholarship put into this book. It must have been years of researching odd translations of ancient astronomy books, modern New Age theory, myth dictionaries and compilations. Some of the information on sacred landforms, spiritual practices, and the connections between “myths” and astronomical reality [sic] were truly fascinating, as were the inklings of the writer’s own cultural experiences with the Pleiades as a sacred constellation.

On the other, it was a hard book to read: well researched but just badly written enough and confusing enough to annoy. Some shoddy scholarship, e.g. “Bandaiyan = Australia in indigenous language” (according to who? Which one? All / some / the author’s?). Some *very* long bows drawn to connect world mythology with theosophical ideas of the history of the world, Atlantis, extraterrestrial visitors. A litte too far over the hippy-woo-woo line, a little too often.

However, reading this book made me think about privileged modes of communication and investigation, privileged holders of knowledge. In my head, I was comparing it to Daniel J. Boorstin’s magisterial The Discoverers: A History of Man’s [sic] Search to Know his World and Himself. Boorstin, if I remember correctly, was the Libarian of Congress, had studied at Harvard, Oxford and Yale, and wrote this astonishing work in his spare time (!). It is a hefty investigation into the technologies and learnings which allowed man [sic] to understand time, distance, longitude, etc., researched in documents and manuscripts of X number of languages, bristling with so many facts that every paragraph put me into somewhat of a daze. So – the complete opposite of the Andrews book. Ensconced in the Euro-Anglo academic tradition, based on documentary evidence in objective, rational, style – and likewise trying to explain the global connections that made humanity what it is today.

But I must remind myself that with all the privileges Boorstin held and cashed in on to write his book, it doesn’t mean his amazing story is any more believable, honest, true, well-founded than the one Andrews has put forward. It is good to remember that they are both stories, just stories, based on traditions of knowledge, access and process which are themselves based on cultural stories. So, I’m keeping both the Andrews and the Boorstin on my shelf, because this little lesson in who has the power of knowledge should be revisited and held close to one’s shelf.

Where it came from: Won in a draw from the Global Women of Colour Challenge and Spinifex Press
Time and manner of reading:
Assorted brief, dense reads leading to sleep, interspersed by genuinely interested reads
Where it went: Keeper Shelf
Reminds me of/that: How little one knows of the world – e.g. the techniques of ancient Polynesian sea-navigation, in ocean-going canoes longer than the European ships of the 18th century
Who I’d recommend it to: MG, CC, JH, KG
Also reading: The Amazing Adventures of Kavalier & Clay by Michael Chabon; Being Alive edited by Neil Astley; The Politics of Ecstasy by Timothy Leary

Review: Rabbit #4

rabbit4A sympathy and enthusiasm subscription (the editors were nice to me) which has taken me a nice, slow year to get through. One of the forms of poetry which I find most inspiring is “documentary poetry” or “poetry of witness” as it’s sometimes called, and I was hoping this journal of non-fiction poetry would help create an audience for it. In this edition, I enjoyed Rob Walker, Mark O’Flynn and Peter Tranter’s poems, and really liked the visual poetry of Anne Lynam, but most of it I found to be wanky, overworked, crazier-than-thou experimentalism – which clearly doesn’t float my boat when there’s no soul to underpin it. It was useful to have regular poetry to read between chapters or essays or stories of other tomes; I enjoyed exercising my discernment and helping learn what I liked and how I wanted to write; the few really good ones were worth the read, so I’ll carry on with the next three editions is (probably equally slow) increments.

Where it came from: First of a one-year subscription to Rabbit
Time and manner of reading:
Numerous kaleidoscopic poetry reads over, oh, about a year
Where it went: Keeper Shelf
Reminds me of/that: To be a writer, one must do writerly things (including, of course, writing)
Who I’d recommend it to: Fans of experimental new voices
Also reading: The Amazing Adventures of Kavalier & Clay by Michael Chabon; Being Alive edited by Neil Astley; The Seven Sisters of the Pleiades by Munya Andrews